Tag: figure drawing

  • Sole Perspective

    Sole Perspective

    This sketchbook started out as a project on practising painting hands, and evolved into hands and feet, and figures with either hands, feet, or both. I was flipping through it today, and it’s so much more than that, because there’s also colour explorations, materials explorations, technique explorations, value, shape, proportions and perspective. I’m noting that…

  • Pan Pastels Mixed Media Figure

    Pan Pastels Mixed Media Figure

    I have watched a few demonstrations using pan pastels, and I’ve followed a couple of classes, and never really found a way with the medium that feels natural to me. I do really like using them, even though I have this weird conflict with dry mediums because I can’t be arsed with the whole sealing…

  • I love drips

    I love drips

    Layers and layers of drips in a variety of media got things a bit out of control, and became a problem to solve. Drying time was long, but I eventually got back in to start pulling the figure back out of the drips. I’m liking the way this one is going. Til the morn, Suzanne…

  • Sketch on Canvas

    Sketch on Canvas

    I have been looking after my four-legged lodger, but he has gone home, and I gave myself twenty minutes to get some painting done. I have some canvas boards covered in pyrrole red, so I started this painting on one. It’s one of the poses I have been painting recently, but only in the sketchbook.…

  • It’s pink but it’s white

    It’s pink but it’s white

    I have this tube of fluorescent pink acrylic that is almost finished, and it’s a few years old, so I’m on a mission to finish the tube. I smeared it on this sketchbook page, where it is less likely to be a fugitive, but it makes working my values kind of interesting because it is…

  • Limited plus quinacridone red

    Limited plus quinacridone red

    Today I took the limited palette I used in this painting and I added quinacridone red to the palette. I’m going to try adding different reds to this palette to see what happens, and which ones I like the most. Til the morn, Suzanne 611/700

  • Fiddling with Fingers

    Fiddling with Fingers

    I spent a fair bit of time messing around in my sketchbook today doing productive procrastination. I was avoiding tackling the changes I wanted to make on this, mostly because I thought I was going to mess up the layers. Perfectionism on an experimental painting is just silly. I eventually got bold and went in…

  • Pushing and Pulling

    Pushing and Pulling

    I’m having a lot of fun with this giant painting, even if I’m not having a lot of fun with that top hand. There will definitely be changes happening there tomorrow. It’s a whole different process with massive paper, big brushes, and much more paint. The layers are building up nicely as I’m pushing and…

  • Six Hundred Days of Art

    Six Hundred Days of Art

    Day 600 of the 100 Day Project I started in February 2024 and didn’t expect to get further than the first couple of weeks, a month tops. I still count the days because maintaining this streak works for me as a motivator. Today’s postcards from the studio are multiple, and I love that over six…

  • Changed My Mind

    Changed My Mind

    I decided not to obliterate the orange (yet) and just kept layering. I added in a bit of mixing with the red and the turquoise, which goes against the original plan, but I like it more. Lots to do, but happier with it than I was yesterday. Til the morn, Suzanne 598/600

  • Studio Things and Not Orange

    Studio Things and Not Orange

    This is on a canvas board, and so far I am mostly happy with it, but I am changing the orange tomorrow, because it’s making me itch. Other things that happened today include opening a box from Jackson’s, yay. There was also the culmination-ish of a palette experiment, a new A4 sketchbook started, and a…

  • Satisfied Sigh

    Satisfied Sigh

    I’m finally happy with a version of this pose. I think I’ve figured out that she is slightly tilted away on the left side (her right hand) and her hands are not the same distance from the viewer. I used a very limited palette of unbleached titanium, raw umber and French ultramarine for this one,…